27 August 2007

The black cat determined to cross my path.

There's a little black cat that lives about half a block away from me on Prescott. Every time I walk by, it runs out from its hiding place near the porch and wants to be petted. It meows plantively and follows for the rest of the block whether it gets petted or not. It's really cute, and I'm not superstitious. Still, it seems a bit odd to me that, out of all the multitude of cats, the one who wants to be my friend--to get "familiar" if you will--is a black one.

06 July 2007

For a good time, search for "Mormon Commercial" on YouTube.com. You'll find hilarious treats like these three from Deseret Bank:






Searching for "Mormon Missionary Dance" is pretty fun too.

09 May 2007

Eurotrash that I love

One of those things that I should be more embarrassed to admit than I obviously am is my enduring love for Eurovision. This song contest, now in it's 51st year, is something of the original European Idol with an Olympic-esque twist. Tomorrow is the semi-finals and Friday is the final. I can't wait.

I've already listened to all the songs, and you can too since they're all posted on YouTube. Just search for "ESC 2007" and you'll find them. Anyway, here are my predictions for this year:

The song that would win if Europeans had any sense (but won’t because they don’t):

  • France. Les Fatals Picards, “L’Amour a la Francaise.”
    This is the song I most want to listen to again and again … indeed, I have been listening to it again and again and I still don’t mind it. Even my resident European listens to it on repeat, so it may have some hope.
  • Honorable mention goes to Israel for "Push the Button" by Teapacks.
The TurboEthnoPop that you secretly like:
  • Bulgaria. Elitsa and Stoyan, “Voda”
The TurboEthnoPop that makes you denounce entire people groups:
  • Greece. Sarbel, "Geia Sou Maria."
Most blatant use of multiple languages to win votes:
  • Romania. Todo Mondo, "Liubi, Liubi, I Love You."
Most obviously a wish for the good old days when the Eastern Bloc couldn’t vote:
  • Sweden. The Ark, "The Worrying Kind."
  • Honorable mention goes to Ireland, but I don't even want to talk about that one.
Least likely to surprise you on an American top 40 station:
  • Andorra. Anonymous, “Salvem Al Mon.”
Most likely to make the world wonder what they were smoking when they voted (and how they can get some too): Tie.
  • Ukraine. Verka Serduchka's "Danzing." Ukraine's most famous transvestite comedian's song has a lot of confused things about it, not the least of which is that, while much of it is in German, there is a bit in Mongolian.

  • Switzerland. DJ Bobo, “Vampires are Alive.” The title says it all. Seriously?

20 March 2007

I'm disturbed.

Sergey went to 300 opening weekend and he (surprisingly) didn't like it. When he told me about it, I was even more disturbed by it than he was. Rather than being loyal to historical fact ... even by Hollywood standards ... they tried to be loyal to a comic book. The result is a film more like The Lord of the Rings than I Claudius.

The Persians are coded racially as black and brown and physically as either weak, handicapped, deformed, or monstrous--always inhuman and objectively evil. This takes any complication out of the battle, and also removes any real potential for literary value from the film. Of course, this is a necessary part of war. Soldiers and civilians alike can't commit and support the atrocities it takes to win if they define the enemy as fellow humans. This is why ideologies of racial and ethnic superiority are so important in war times. It's also why we always have a name for our enemy other than "people:" gook, commie, jap, jerry, rag head ... whatever is in vogue this year.

In direct contrast, the Spartans employ the rhetoric of freedom fighters. They are shown as the saviors of Western civilization (debatable) and as supporters of democracy against a tyrant (definitely false). There was a reason Spartans had such a reputation as warriors. They trained constantly out of fear. Spartan society was totally dependant on slave labour, more so than other Greek city states. The hollow speeches about freedom in the film are much like a Polish oligarch's speech before the Long Sejm about guarding their "golden freedom" against the interests of the serfs. The Spartans were aristocrats living in a monarchy who trained in violence to suppress any revolt mounted by the slaves upon which their economy depended.

It's not the historical inaccuracy that really gets me. As you can no doubt already see, this is a politically charged film. Every war seems to start with oligarchs making speeches about freedom, and the current war/s is/are no different. What's most distressing is that, at a time when an already over-extended America seems determined to invade Iran, the most popular film in the country dehumanizes Iranians.

That was my gut reaction first hearing about the film, and I now know I wasn't alone. About half the critics world wide who have reviewed it have found it lacking and in poor taste. The Iranians are really upset about it. And the director and producer say again and again that it has nothing to do with modern politics. Of course, they've also praised themselves for its "accuracy."

So, here's my conclusion, I'm certainly not going to spend money on that movie. And I invite you to avoid it as well if you haven't already seen it. I realize the filmmakers won't notice my little boycott, but I will know I had no part in this travesty.

If you'd like to see a truly excellent film that can simultaneously makes you think and restore your belief in humanity, I suggest you watch Amazing Grace. It's a fairly accurate telling of William Wilburforce's fight against slavery in the British Empire. He was a man who truly represented freedom. I can't express in words how good that movie is, so you'll just have to see it for yourself.

Labels: , ,

11 March 2007

Daylight savings crime

Today, proving Tanya and I were not operating on well-rested minds, we started wondering what would happen if someone committed a crime during the hour that is lost for daylight savings time. How would the police report it? As long as you did something verifiable an hour later, you'd have an air-tight alibi for the time of death. And does the crime really happen the following fall when the hour is returned to us?

Or, what happens if you check in to work at 1:00 a.m. and then check out one hour later at when it is again 1:00 a.m., do you get paid for your hard work? I almost wish I were hourly so I could test it out next year ... or even better, get paid for that extra hour next fall.

Labels: ,

27 February 2007

Cushman, Scott. Oris Alfred Cushman, 1921-2007. Eulogy presented 27 Feb. 2007. Kramer Funeral Home, Omaha, Nebraska.

We are here to remember the life of Oris Alfred Cushman. He meant something different to each of us. For some, he was a brother or a father or a fellow church member. Some of you knew him as “Lightening.” For me he was Grandpa. My profession is public relations and despite that, I shall endeavor to be straight forward and honest with you today.

Grandpa was born on July 8, 1921 in Herman, Nebraska, 13 pounds of bouncing baby boy. He grew up on the farm and enjoyed the distractions of small-town life.

In 1943, Grandpa went to war. Like so many who return from war, he did not like to talk about this part of his life. Once, after I had returned from Poland and when he was first showing signs of memory loss, he told me more about the war than he had ever told his sons. He described flying from Texas to Brazil and the humidity when they got off the plane. He told of flying next to dry North Africa where they waited for the invasion of Sicily and Italy. Of the invasion itself, he simply said they “drove straight up the boot,” providing no descriptions of cathedrals, vineyards, local resistance or even the weather. He made it sound more like a car race than anything else, and perhaps that was how he wanted to remember it.

Sometime after he returned home but before he stopped wearing his uniform to the dance halls, he met Betty Ann Moyer of Fremont, Nebraska. He was handsome in his uniform and light on his feet. Before they even really got to know each other, they drove to Marysville, Kansas, just across the state line, and got married on Dec. 21, 1946.

They were very different people. She was a school teacher who prided herself on her intelligence. He had always struggled in school. She detested sports, he would plan his life around ball games. He spent most of his adult life working in meat processing plants. She became a vegetarian. Somehow they made it work.

Their first son, Robert, was born almost exactly nine months after their wedding. Their second son, Dennis, my dad, was born in 1948.

One day, a lady stopped by their home selling religious books. Grandma didn’t have the money to spend on anything extra, but showed interest. The colporteur gave her an issue of Signs of the Times for free. Grandma read it from cover to cover and mailed a response card inside asking for more information about the Seventh-day Adventist church. In 1952, when she was six months pregnant with Bruce, Grandma was baptized in the Omaha Memorial Seventh-day Adventist Church. On December 27th of that same year, Grandpa followed her example.

Grandpa found the lifestyle restrictions of the Seventh-day Adventist culture were not for him. He wanted smoking breaks at work. I’m not sure if he really valued smoking, but he definitely wanted smoking breaks. He wanted to watch ball games on Saturdays. These habits became points of contention between my grandparents and eventually an agreement to disagree. Largely because of Grandma, Grandpa was disfellowshipped from the Adventist church. When he gave up smoking and was re-baptized on Aug. 25, 1984, Grandma was elated.

In many ways, Grandma had been the leader in their relationship. When she started losing her memory in the late ‘90s, Grandpa became her care giver, a role she’d never let him fill before. To the end, she wanted him near her and he wanted her close to him. On good days, they acted more in love than I’d ever seen them before. The horrible disease that has now taken them both from us gave them an opportunity to discover true love together. Grandma died in May 2005 and we stoic Cushmans mourned her loss in our own ways. Grandpa’s decline accelerated after her death.

This brief sketch of a life does not have the makings of a New York Times bestseller. Grandpa was neither famous nor infamous. Neither a saint nor a notable sinner. Not a philanthropist, Nobel laureate, political visionary or military mastermind. When histories of his generation are written, his name will not even be a footnote. And that would be O.K. with him. He never sought that sort of success.

At times like these, we are tempted to evaluate the life that has passed. It is only natural. However, the standards we employ in such an evaluation say more about us than about the departed. How can we measure someone like my grandfather?

A couple years ago I had a creative writing professor who approached grading from a very post-modern prospective. Rather than using any received notions of what good writing is or isn’t, she graded based on how well her students achieved the goals they set for themselves. If we examine the life of Oris Alfred Cushman based on his own values system rather than any received notions of success, we find that Grandpa was indeed an accomplished man.

As I’ve spoken with our family over the last few days, four themes from Grandpa’s life have emerged:

1. His sweet tooth.
2. His love of spectacle.
3. His craving for social outlet
4. His wish for his sons to be comfortable with their lives.

The first item, his love affair with sugar, is almost legendary in our family. He was not a man who accepted an ice cream truck was only for children. The first story my mom remembers my dad telling her about Grandpa was the disastrous baking of a purple cake (not purple frosting, mind you, a purple cake). Even on his death bed last Tuesday, as Mom handed out candy to the gathered family, the mention of the word and sound of wrappers opened his eyes and revived him slightly.

The second characteristic, his love of spectacle, earned him his nickname of “Lightening.” If a carnival or baseball game was going on in town, he would disappear from his chores as fast as lightening. In later years, he enjoyed watching televangelists, not because he had a burning religious fire for them to feed, but because of the circus-like spectacle they created.

His love of spectacle was inextricably linked with his yearning for social contact. He always wanted to see people and be among them. He was known for always getting to work early … not because he had any wish to work more than an eight-hour day, but because he wanted to have morning coffee with his coworkers. When he retired, he continued waking up early to have coffee with his cronies, walking daily to Crossroads Mall food court. I believe he watched sports not because he cared who won, but because he wanted to have something to talk about. He loved watering the lawn with a hose rather than a sprinkler so he could watch the cars and greet passersby. When the Omaha Memorial church was constructing their school building, he walked there nearly every day and worked hard—again, not because he had a particularly strong work ethic, but because that was where Al Workman and his other friends were.

And finally, his relationship with his sons was not contingent upon their successes and failures. He may not have won awards for being the best father, but at least he never assigned his sons notions of what is and isn’t valuable achievement. I can respect that legacy and can see echoes of that in the way my father has supported my brother and my sometimes hair-brained ideas of achievement.

If we remember Grandpa’s life in terms of these values, it was a good life. Thoreau wrote that “The mass of men live lives of quiet desperation.” That was not my grandfather. His life was quiet, he was, after all, Lightening and not thunder. A quiet life, surrounded by friends, family, charming spectacles and sweet food, in his estimation, was quite enough.

We here today are a testament to his particular brand of success.

13 February 2007

The official cast signing entry

That's it, my armored arm (and if I were more intelligent, I'd figure out a way to include "amore" in that sentence). This new-fangled cast technology makes signing casts hard, so I'm overcoming with technology. Leave a comment below and consider my cast signed.

I'm feeling much better this week. I can even type with it though it's harder to use letters on the bottom row (B is a witch) and I have to avoid rotating too much when I use the shift and other far left keys. I can even lift the arm without using my other hand. My biggest problems are:
1. I can't close my coat and baby, it's cold outside.
2. I start out sleeping with the best of intentions to keep my arm elevated over my heart but wake up in the morning with it fat and swollen and either at or below heart level.
4. I shun water like Elphaba, the Wicked Witch (by the way, I love Wicked). I can't get the cast wet and I can't sweat, so there goes my participation in the employee wellness campaign.

Honestly, there was a third point, but I can't remember what it was.

Happy signing everyone, I look forward to seeing what you'd write on my cast if it were more conducive to writing on.

About me

  • I'm Scott
  • From Lincoln, Nebraska, United States
  • Busily carving a niche somewhere between angels and apes since 1979.
My profile

    "... if you're not on videotape, or better yet, live on satellite hookup in front of the whole world watching, you don't exist. You're that tree falling in the forest that nobody gives a rat's ass about" (Palahnuik, Chuck. Survivor). This is my performative culture; I am your dancing monkey.